A Treasured Artifact: Clay’s Ghent Jacket

YOU ARE HERE -> 1814-today A fragile and precious artifact periodically makes its appearance at Ashland today: Henry Clay’s ceremonial jacket that he wore at the signing of the Treaty of Ghent.  Clay had been part of the American delegation sent to Belgium to negotiate a peace treaty with the British in 1814, which effectively … More A Treasured Artifact: Clay’s Ghent Jacket

Interpreting Henry Clay in a Charming Home Environment

YOU ARE HERE -> 1950s-1970s Unlike many historic house museums, the public display of Ashland’s collection began during the domestic life of the founder’s—Henry Clay’s—home some 150 years before.  The coexistence of home and museum actually has a long history at Ashland; exhibiting and interpreting artifacts for the public has been occurring for almost two … More Interpreting Henry Clay in a Charming Home Environment

The Curious Case of The Golden Draperies

A bit of mid-twentieth-century Ashland history… On proud display in the Drawing Room for Ashland’s 1950 Opening Day were two pairs of elegant golden draperies.  These sophisticated window dressings would be for decades among the most prized of the museum’s artifacts. Director Lorraine Seay told the Lexington Herald-Leader in 1953, “Probably the items on display … More The Curious Case of The Golden Draperies

Messy Generational ‘Layers’ Complicate Museum’s Task

YOU ARE HERE -> 1950s Historic house museums often face difficult decisions regarding which period of the house’s history to interpret.  This interpretive decision has proven to be a most complicated issue at Ashland.  Not only is Henry Clay’s original house gone, but five generations of his family occupied the estate and much of the … More Messy Generational ‘Layers’ Complicate Museum’s Task

Living in the Museum

YOU ARE HERE -> 1950s Many 1950s visitors to Ashland, The Henry Clay Estate, the newly opened historic house museum in Lexington, Kentucky, would never have realized that the mansion continued to be a private home.  This reality was downplayed—if not hidden—from public view for nine years. Museum Director Lorraine Seay’s public hospitality was complicated … More Living in the Museum

Interpreting Henry Clay in a Charming Home Environment

YOU ARE HERE -> 1950s-1970s Unlike many historic house museums, the public display of Ashland’s collection began during the domestic life of the founder’s—Henry Clay’s—home some 150 years before.  The coexistence of home and museum actually has a long history at Ashland; exhibiting and interpreting artifacts for the public has been occurring for almost two … More Interpreting Henry Clay in a Charming Home Environment